The Story Hour

story hour

First, a sincere apology to TLC Book Tours. This review is four days past my agreed-upon posting date, the first time I’ve ever missed my tour stop since beginning with them over a year ago. How to explain it? I’ve been in a funk to surpass all reading funks. Goodreads tells me I haven’t finished a book since August 9th. That’s one month and 11 days that I haven’t been reading – the longest respite from books I think I’ve ever taken.

So what have I been doing? Starting a new job as a high school creative writing teacher. The stress level has been high. Not only in the preparing but also in the actual doing – because once the course started both the students and I had to adjust our expectations. It’s been entirely all-consuming, to the point where, reading, for the first time in my life, has not been a priority.

Why am I wasting so much review space to say this? Because of this reason: I finished The Story Hour. When I picked it up today at 4:00, I was only 100 pages in, but I read straight through – 217 more pages – until I finished the book tonight. I was determined to let a book envelop me again, transport me and transform me as it hadn’t for months.

I’ve been in a trance ever since. The kind of marathon read I did was immersive and it left me completely open, almost raw to the changes the characters underwent. Lakshimi and Maggie seem like such friends at first, such supports to one another and also such foils – the Indian immigrant appearing uneducated and unstable, the black therapist sure of herself and whole. But by the novel’s end the roles are completely reversed, making for the sort of character development and narrative arc I haven’t seen in a long while.

This book is so rich – not only because of all the things it examines – marriages that aren’t built on love and marriages that are, the quest for fulfillment, the American experience, immigrant ascension, child abuse, sisterly love, sacrifice, adultery, trust …but also because of the way it is told. The book alternates between the assured third person narration of Maggie’s portion and Lakshimi’s broken and highly original English. Tremendous praise to Umbrigar for keeping Lakshimi’s voice consistent, for imbuing in her dialect a quality so trusting and searching and plucky.

What it is that Umbrigar does so effectively? I think she gives her characters vulnerability. She makes them flawed and human and open to the ebbs and flow of human emotion. And she allows the reader to enter completely into their predicaments, to get yanked under the yoke of their burdens. I felt each and every character’s falter and resolve as they struggled to surge forward and begin anew. And when they did reach this place of fresh beginnings and rekindled hope, I cheered inside as the best-realized books make us do.

Many thanks to TLC book tours for my review copy and for having me as a host. And one last apology for the late review!

The Angel of Losses

angel of losses

The Angel of Losses is being billed as a cross between The History of Love by Nicole Krauss and The Tiger’s Wife by Tea Obreht. Having read both, I can see the connection – especially the comparison to Obreht’s fable-like writing. Feldman’s prose is at its strongest in these sections, where she tells the tales of  The White Rebbe. There’s something sonorous and gorgeous about the language she uses – fluid and natural and effortless. Feldman has a real gift f0r the long-ago. It was a pleasure to be in her company while spun the the first half of the weave that is her novel.

My problem really lay in the second half – the real-world, every day life of Marjorie and her sister, Holly. The narration here seems mundane, forced, awkward – too much of a shift from the world in which we were previously immersed. It sounds as if Feldman herself is just waking up from the dream of her narration and now has to shift tones, put on a different hat in which she’s not as comfortable. The book truly seems as if it is written by two different writers, the second not nearly as competent as the first.

And so I struggled while reading this book. While I read of two estranged sisters, and a grand daughter’s effort to uncover her grandfather’s past  I wanted to be back in the mythical world of The White Rebbe. I wanted the lore, the sleepy happiness that comes with being told a story. Feldman is just so good at it. It’s a shame the whole book couldn’t have been written as allegory.

While I felt disconnected from the secondary plot line – and also a bit resentful about the way Orthodox Judaism is portrayed – I also see tremendous potential in Feldman’s abilities. I think she just needs to find her stride and truly inhabit her narrative voice rather than trying to mold it to different purposes. I will certainly watch for what she does next!

Many thanks to TLC Book Tours for having me as a host!

The Home Place

home place

When her reckless, drug-abusing sister is found dead, lying face down and unattended in the snow, Alma must return to her hometown and help police with the investigation. It could have just been exposure – having had the bad luck to pass out unconscious in the brutal Montana cold  - or it could have been murder.

In Vicky and Alma, La Seur creates a tension of opposites. Though on the one hand they seem a bit like stock characters – in fact, many of the characters in this book seemed archetypal to me – it’s compelling to watch Alma’s steely resolve crumble, to bear  witness as she learns that not everything can be controlled, stored away, hidden from.  As she’s forced to reacquaint herself with the people that made up her past and the mistakes that perhaps led to this present, Alma must examine her long-ago choices, and see if there is anything she can do now to make them right.

It’s always heartening to watch a character go on this sort of journey, to come up against moments of reckoning, to grab that long-lost chance. My problem here was that I couldn’t connect to the characters – or even to the plot. It felt very much as if the author was trying to check all her boxes, to keep all her cogs in place, to ensure the pace moved meanderingly along to the denouement. Vicky’s death never felt like a loss to me – only the event that set the story in motion. I couldn’t feel the gravity of her passing, perhaps because the people touched by her death – her sister, her young child – are resolved not to cry. As a reader, I was waiting for the chink in the armor, for the moment that would make the tragedy seem tragic instead of just a call for efficacy.

I wish I hadn’t felt so detached, because I thought the book held great promise. It’s being compared with dramas like The House Girl which I loved and, structured differently, I think it could’ve been very powerful. Throughout, I wanted first person narration rather than third, and a novel told in multiple voices: Maybe  Vicky’s, post-mortem, Lovely Bones style, Alma’s and finally Vicky’s daughter, Brittany. Pete the turned-around older brother and Uncle Walt, a volatile Vietnam vet, could’ve also been good narrative choices – especially because either of them could’ve stopped Vicky’s death from happening.

I think this sort of creativity was hampered by the direct journey we take from beginning to end. (The book is even told chronologically, with no straying from the timeline). But who knows – this is only a debut, with some very strong, evocative writing, particularly on its first few pages. We will see more from this author. Perhaps on her next attempt, she will show us more reach.

Many thanks to TLC Book Tours for my advance review copy!

“Astonish Me” at the Library

Since moving to Deal, NJ for the summer at the end of June, I’ve been so thankful for by my local library – a cozy, bright, inviting place that’s a joy to visit. I’m not much of a library patron – snobby as this sounds, I don’t like the feel of used books or that musty library smell. I like my books crisp and fresh and this library delivers. It’s orderly and clean, the books are new as can be and how amazing to catch up on books I’ve always wanted to read (or recently heard about) for free?

elberon library

Nearly every Friday, I’ve taken my 18-month-old there for story time and of course there is much lingering at the shelves when it’s over. For the first time in a long time (bookstores don’t do this for me anymore) I’ve felt like a serendipitous browser. And the selection is amazing! Books that came out a week ago are in stock here. No waits, no holds – it’s mine as fast as I can snatch it up.

Among the first batch of books I checked out was Maggie Shipstead’s Astonish Me and it is most certainly aptly named!

astonish me

While there was so much I admired about this novel – the carefully measured writing, the interior narrative voice and the immersive way Shipstead incorporated ballet culture and terminology, the last quarter of it was downright creepy – wholly unexpected and I might even say unearned. Was this where Shipstead was going all along? If so, she should have done more through the first half of the book to foreshadow or make the relationship credible. Did she happen upon this idea suddenly and decide to go through with it for shock value’s sake? (Authors do this and I hate it – it’s so manipulative!) What was going through her head? Did she see the end at the very beginning? And if so, how did she keep up the book-length facade? I’m intentionally being unclear here because I don’t want to give anything away, but those of you who’ve read it, what’s your verdict? Is this book well-choreographed, masterfully planned? Or does it completely crumple under the way of an unviable ending? Share. Opinions. Please!

Land of Love and Drowning

land of love

I first got turned on to this book from Rebecca at BookRiot.com. She said she read it in delicious little sips and that it was full of magic and myth. I couldn’t resist that sort of exuberance – the promise of a gorgeously-written, slightly fantastical world. And so I requested this one for review and wasn’t disappointed. The book is finely executed and infused with all the twang and charm of the Caribbean. It wasn’t what I was expecting, but that turned out to be a wholly refreshing thing.

I’ll come right out and say this for the sake of those who need to know it: incest is a big part of the plot – father/daughter and half-brother/half-sister. Normally, that sort of thing makes me squeamish, but here…though it was incest, I didn’t see it like that, really. Perhaps this is owing to the strength of Yanique’s writing. She makes you feel like these are simply cases of forbidden love. Love that cannot be permitted, certainly, but still love that is valid and true and strong. I didn’t feel as if the half-siblings were that to eachother – more like they were thwarted romantic partners, who, if they could be together, would do very well with eachother. The same goes for the feelings sprouting up between father and daughter -rather than a gross abomination, they felt like idolation taken a bit too far.

Why does Yanique paint her situations this way? Why does she makes us feel the pull of her characters’ connections, even as they are entirely wrong for eachother? I think because she wants us to think about something larger than the appropriateness of a relationship. What about when you’re in the thing already – because objectified, being romanticized – what then? Sometimes, in life, it is too late to turn back, you’ve already gotten swept up in the current or swayed by a false impression. It’s already happened. So what do you make of the future remaining?

This book is about otherness, it’s about colonization and belonging, desire and freedom – and love in its many forms. Yanique draws her characters with empathy and tenderness rather than the shame and disgust you’d expect given the subject matter. And that is what makes this such an interesting read. It’s not often my perspective is broadened to this degree – so that I see the struggle above all things. Yanique should be praised for not only taking a risk but doing so beautifully – with bravery and with grace.

Many thanks to Riverhead Books for my advance reader’s copy!

How to Tell Toledo from the Night Sky

toledo

This book was such a pleasure to read. I gave it 5 stars easily – as easily as Lydia Netzer’s characters fall in love once they meet.

Smart and observant, laugh-out-loud funny with vulnerability underneath, Netzer’s latest is unlike anything I’ve ever read. It seeks to undermine the traditional love story – even make a mockery of romantic love by taking it literally. We loosely throw around the concept of soul mates and the notion of fate, but in reality, do they exist? And if they don’t, can we will that majesty into being via our own machinations?

A bit of an aside: In the Jewish religion it’s actually believed that married couples are two halves of a single soul, so that when they meet on earth there’s a resounding connection between them. It’s not fabricated, the way it is in this book by George and Irene’s mothers – we believe it’s preordained by G-d. Nevertheless, this concept felt familiar to me and real: how you might ground and control a very spiritual concept.

I think Lydia Netzer believes in romantic love – but her characters chaf against it at first and, ultimately, want it to be earned. That’s the most interesting part about this book, I think (and there are many fascinating elements) – the emotional journey the characters undergo before and after they find eachother.

I loved How to Tell Toledo from the Night Sky. I thought it crackled with energy and each day its storyline was something I couldn’t wait to get back to. It’s pure, guitless pleasure, hours of unabashed fun and also a very smart meditation on the core of human experience: love. I hope you all enjoy it this summer!

Many thanks to St. Martin’s Press for my review copy!

It’s Monday….

Hello, everyone!

I thought I’d breathe some life back into this blog by sharing what I’m reading this week. I may have finally gotten into the reading groove, having finished a book last week, wrote a blog post and started another one soon after. The book was Land of Love and Drowning by Tiphanie Yanique and a review will be up on its publication day, July 10th. Now I’m reading Lydia Netzer’s How to Tell Toledo From the Night Sky

toledo

and it’s so much fun! I think I’m enjoying it a little too much. But it’s just what I needed to restore my faith in reading and thaw out my mental state.

On that front, I got a job at my old high school! It doesn’t feel real yet, because I haven’t signed a contract, but I’ll be teaching two semesters of creative writing (one to juniors and one to seniors) working hours in their writing center and also supervising the literary magazine. I’ve been given complete flexibility with the creative writing class – I can shape the curriculum however i want – which is really exciting. I’ve never taught at the high school level or made so many lesson plans before but I think I’ll really enjoy the process. I’m trying to breathe through it all and tell myself I’ll still be able to read books for pleasure.

I hope to finish Toledo today (it’s  completely addicting) and have a review up on pub day tomorrow – so keep a look out!

It’s Monday….What Are You Reading?

So, as you’ve probably noticed, the blog’s gone a major hiatus lately. It feels major, though my last post is only  a week old. I haven’t been able to think about blogging, let alone reading, for reasons I hope I’ll be able to share in the next few days. Until this pans out, my reading has gone into freeze mode. But  for the past 10 days, I’ve been aimlessly reading:

cartographer

As Shannon from River City Reading warned, it’s very battle-heavy and it isn’t keeping my attention. I’m debating over whether to keep at it or abandon it in favor of a fantasy novel (choices: Alias Hook, Queen of the Tearling, Book 1 of The Magicians series) which seems to be what I need right now. Though I did hope to review it this month, as it’s just been released in paperback.

I apologize, really, for not visiting any of your blogs in the past week. Let me just get my life in order, and I’ll be back soon :)

We Are Called To Rise

we are called to rise

We Are Called To Rise is that rare thing – a novel with lofty aspirations that actually lives up to them. Laura McBride aims to make us just a little more compassionate, a little more cognizant of this world and our role in it. The small acts, the big ones – the way both sets are equally important but unequally acknowledged. In We Are Called To Rise,  she calls us to attention, asks us to bear witness – and it is profoundly moving reading experience.

I’m in awe of McBride and what she has done here – the level of sophistication, of forethought and existentialism that she has brought to this novel. There is a deftness of execution, an understanding of the human condition, that few novelists achieve in their best attempts. This is her first attempt and she has nailed it.

You’ve heard the expression “this novel will leave you changed.” Perhaps you’re tired of it. Perhaps you don’t believe it. Well, believe it now, because this one will. It will make you conscious of the effect you can have as an individual – and it will make you want to do big, grand things in consequence.

McBride explores these conditions: The immigrant experience, the child’s perspective, a former solider’s struggle, the disintegration of a long-time marriage. Those are its pieces. But more generally this novel is about war and the way its effects can ricochet, violently disturbing everyone in its orbit. It is about the way four embattled people can come together, hurt one another and then make each other whole again.

The writing in this book is phenomenal. It is the kind of writing that makes you sit up straighter, read faster but also with more care because you know something special is happening in the sentences. Each narration is stretched taut with meaning – with the pain and contradiction of human experience. McBride does such a good job of this – of creating characters who are real and raw and whose hopes and regrets are palpable.

We Are Called to Rise is a must-read. If only because it will enlarge your heart, open your eyes, ensure that you don’t shy away from the next horrific news segment. It’s in facing the unbearable that we become bigger, better people. Laura McBride wants that for each of her readers. She’s penned her story with these lofty expectations. Now she hopes we’ll go out into the world and surpass them.

Many thanks to Simon and Schuster for my advance reader’s copy!

Mrs. Hemingway

28book "Mrs. Hemingway" by Naomi Wood.

If you’re like me, you think you know everything there is to know about Hemingway’s romantic exploits. You’ve read The Paris Wife  about Ernest’s marriage to first wife Hadley and you’ve read Hemingway’s Girl about his marriage to Fife. Lo and behold there’s another two wives to add to the mix – a quartet of women who got tangled up in matrimony with this serial cheater.

What’s so wonderful about Mrs. Hemingway are the perspectives of Martha and Mary, only briefly mentioned in the other two books that I read and given about 80 page each, here. Reading about these two women – about all of them, really – was akin to reading a gossip magazine or eating the sweetest candy. Just pure, guilt-less enjoyment – and maybe a bit voyeuristic. The genius of Wood’s technique is that she doesn’t keep these women separate. She lets their sections bleed into one another, so that they make cameo appearances in each other’s stories and, more often than not, become friends commiserating over their loaf of a husband.

Wood begins each women’s point of view with the end of her marriage to Hemingway – the point at which it is beginning to disintegrate in favor of the next woman waiting. Because we get the end before we get beginning, the chronology was a bit disorienting to me. Wood may start out in August of a certain year, go back to April and then flash forward again to September so that the reader never knows what slice of the romance they’re going to get next or which way the story is going to be colored. I would’ve liked Wood to go in order month-wise in each of her sections, but that’s really the only gripe I have with this novel.

Wood has done her research, without getting bogged down in it. Hers is more of a human interest story, where I’m sure creative liberties were taken. She looks deeply into each Mrs. Hemingway painting them as strong, personable women – rather than people who would let themselves get taken. Her sympathy clearly lies with them, even as some trickles down for the depressed and sorry Hemingway.

Readers have been given a treat with this novel – a complete picture of the Hemingway marriages and an indirect portrait of the man himself.

Many thanks to Penguin Books for my advanced reader’s copy!